‌List of Figures

illustrations

• Fig. 1.1 Bernini, Ecstasy of Santa Teresa d’Ávila
• Fig. 1.2 Bernini, Ecstasy of Santa Teresa d’Ávila, Angel (detail)
• Fig. 1.3 Bernini, Ecstasy of Santa Teresa d’Ávila, Spear (detail)
• Fig. 1.4 Bernini, Bust of Louis XIV
• Fig. 1.5 Bernini, Ludovica Albertoni on her Deathbed
• Fig. 1.6 Caravaggio, Doubting Thomas
• Fig. 1.7 Bernini, Cappella Cornaro in Santa Maria della Vittoria, Rome
• Fig. 1.8 Bernini, Ecstasy of Santa Teresa d’Ávila
• Fig. 1.9 Bernini, Cappella Cornaro in Santa Maria della Vittoria (detail)
• Fig. 1.10 Bernini, Fontana dei Quattro Fiumi, Rome
• Fig. 1.11 Bernini, Ecstasy of Santa Teresa d’Ávila
• Fig. 1.12 Bernini, Cappella Cornaro in Santa Maria della Vittoria (detail)
• Fig. 1.13 Ceiling by Andra Pozzo, Sant’Ignazio, Rome
• Fig. 3.1 Bach, horrified on the Wendy Carlos Synthesised-Bach disc
• Fig. 3.2 Covers of Erato LP, including Albinoni’s Adagio by Jean-François Paillard
• Fig. 3.3 Front and back covers of the book, in French and German. See, in particular, the more recent 2012 version from Buchet-Chastel which mentions ‘translated from German’
• Fig. 3.4 Sleeve of Menuhin’s recording: no mention that the score was not written by Mozart
• Fig. 3.5 The first two images are fly-leaves of the score, published before and after Casadesus’ confession, without any change. The third is from a website which still sells it as a piece by Mozart, mentioning only that it was ‘edited’ (herausgegeben) by Casadesus
• Fig. 3.6 Gounod’s Ave Maria on a 33 potpourri of Ave Maria (by Bach/Gounod), and one from the Marriage Airs (by C. Gounod alone)
• Fig. 3.7 The first page of the original sheet music by Gounod, and a modern score
• Fig. 3.8 Photograph of a ‘Baroque Music’ section from an outlet like Fnac or Virgin
• Fig. 3.9 The cover of the sheet music for Les Indes galantes
• Fig. 3.10 Covers of Les Indes galantes by Paillard at Erato, and by Malgoire at CBS
• Fig. 4.1 Bivariate normal distribution produced by Gibbs sampling
• Fig. 4.2 A variety of distributions
• Fig. 4.3 Simulated distributions
• Fig. 4.4 Metropolis-Hastings algorithm-generated normal distribution
• Fig. 5.1 Network diagram by Martin Hawksey (2011)
• Fig. 5.2 (x)trees by Agnes Chavez and Alessandro Saccoia (2012)
• Fig. 6.1 Miracle Room in Candeias, Bahia
• Fig. 6.2 Lapinhas
• Fig. 6.3 Igreja de São Francisco, Salvador da Bahia
• Fig. 6.4 Igreja da Matriz, Santo Amaro da Purificação, Bahia
• Fig. 6.5 Gesú, Rome
• Fig. 6.6 Igreja de São Domingos de Gusmão, Bahia
• Fig. 7.1 Diagram of Innovation, reproduced from the draft report presented at the strategy meeting
• Fig. 7.2 A diagram depicting funding sources for the various stages of the innovation process proposed in Fig. 7.1
• Fig. 7.3 A baldachin or throne canopy woven in a tapestry workshop established with Flemish craftsmen in Helsingør, Denmark, in the late sixteenth century
• Fig. 7.4 Detail of the central panel of the baldachin
• Fig. 8.1 London Stone, 111 Cannon Street, exterior view
• Fig. 8.2 City of London street map
• Fig. 8.3 Copperplate Map, c. 1559, Copyright Museum of London
• Fig. 8.4 Gaspare Landi, ‘Ulisse e Diomede rubano il Palladio’ (1783), Courtesy Galleria Nazionale di Parma
• Fig. 8.5 London Stone, 111 Cannon Street, interior view
• Fig. 8.6 John Aubrey, Monumenta Britannica, c. 1666
• Fig. 8.7 E.O. Gordon, ‘Plan of the London Mounds (By Stanford)’, Courtesy The Covenant Publishing Company, Ltd.

equations

• Equ. 4.1 Gaussian probability density function